Thursday, April 14, 2016

SPRING - 600 word critique response


600 word crit group response – April 14 2016

There was somewhat conflicting opinions on the sheer volume of work I’ve produced  -especially regarding the images.
As my project is being performed within the context of a journal, I am recording, documenting moments as they unfold.  – In some cases this may mean that there are many many images of one place or thing as I explore all the aspect of that place / thing. ALL these images are included in my journal – as they are ALL part of the process - & the process is the art.

My crit peers were divided on whether this wash of multiple images was redundant & that I should just pick out a few of them to present – OR whether the overall effect was, in fact, crucial to take the viewer on my journey and needed the multiplicity for that purpose.

In some ways I agree with both points of view – so I am trying to figure out a way of presenting the whole picture and then also picking out specific images to present with full clarity.

The other point in question was how the various facets of my project fit together – as there is the pedagogical method and live performance as well as the journal aspect of the project and the interactions with nature materials.
Some of my crit peers said they could see clearly how my live performance evolved from the nature interaction and journaling, but could not tie the pedagogy in with it.

The project actually began with creating the pedagogy last year – and through my process with the Raw Material project this year, I have very clearly defined how all the facets work together – especially in the report of my recent workshop with circle Modern Dance in Knoxville TN (which I included in work to be viewed by the crit group) – However, it takes a big time commitment to view all the video excerpts and read through all the report text, including descriptions of the exercises and how exactly they were being used for the development of new performance work – and unless you have followed the whole process I can see how it would not be immediately apparent how it all fits together … and I don’t think any of my crit peers did that.

I’m not really sure how I can present it in a way that is instantly apparent exactly how all the facets of the project fit together. It might just be a case of needing to invest a little time to study the whole process if one is interested enough to find out!

My plans for final dissemination of the project include all aspects of the project: live performance, workshop, video screening plus installation – there will also be Q&A sessions … My intention is that this will make my process clear to an audience and that the relationship of the various facets of the project will make complete sense. As it makes complete sense to me – I should be able to find a way to communicate that – however, I think the best way of doing this is live in person experience.
I also think that it’s fine for each facet of the project to be taken as an individual entity without needing to see or even know about the other facets.


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